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韩国影片《人狼》
2024-10-27 01:51:44
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韩国影片《人狼》剧情介绍:
元代时，南戏仍然盛行于南方各地，它的突出特点就是具有南方韵味，以南曲为主。因地方语音的差异，出现了南戏多种地方色彩的声腔，如海盐腔、杭州腔、余姚腔、弋阳腔、昆山腔等。杂剧南移后，南戏采用了杂剧联套的方法，出现了南北合腔（南北合套），但其套数以南曲为主，曲调的运用采取自由的方式，且可以换韵。
元代的南戏，长短自由，每场戏称为“齣（出）”，而且齣数不定，由剧本内容所决定，长者可达数十齣，短者数齣。也有“题目”，放在第一齣前面，用四句概括介绍全剧大意，写在招子上，作为广告，与正名戏演出无关。不过，第一齣照例由副末登场，报告演唱宗旨和剧情纲要，并与后台即将出场的角色互相问答，引出正戏来，这在南戏叫“家门”，亦叫“开宗”，其作用与元杂剧的题目正名相等同。
南戏戏班演员角色，分生、旦、外、贴、丑、净、末等，大体上与元杂剧相同，只是元杂剧中男角色以“末”为主，而南戏中则以“生”为主。演出时唱、白、科皆备。只是南戏中于科处多作介，亦有作科介者，如“末作听科介”“末行杀介”等。而且南戏中宾白多为骈偶句子，甚至出现过白多唱少的趋向。宾白贯穿于全戏始终，可见其重要。元杂剧终场只由一个主角独唱到底，而南戏凡登场的各种角色都可以唱，可以独唱、对唱、合唱，往往对唱后合唱尾句；也有表现情节紧张时，角色各唱一曲，且不合唱尾句的。南戏这种不受束缚的演唱艺术形式之所以灵活、自由，是因为它不受宫调的限制，比之杂剧具有进步意义。
相关影视:韩国影片《人狼》
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