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Ship of Fools(愚人船)Ship of Fools(愚人船)《愚人船》是一部诗文体裁的叙事作品,全诗共占7308行,俗称8千行诗,有自身的序和跋,然后再分成112个章节,而在第110章的后面又独辟蹊径,再列出110a和110b两章 112章诗篇全部独立成文,相互之间并没有必然的联系和过渡 诗文组织比较严谨,诗行内容也比较完整,结构独具匠心,面世以后立刻取得了巨大的轰动效应和文学成就 德国的许多城市,如纽伦堡、豪宇特林、奥格斯堡、吕贝克、罗斯托克,从南到北,不断地印刷出版这本书,甚至一版再版 《愚人船》的影响很快跨越了国界,进入法国、英国、荷兰,并在那些国家被译成他们的民族语言;而且在这些国家的文学界还出现了许多的模仿之作,兴起了一股愚人文学热 文学内容在文艺复兴时期的想像图景上出现了一种新东西;这种东西很快就占据了一个特殊位置 这就是"愚人船" 这种奇异的"醉汉之舟"沿着平静的莱茵河和佛兰芒运河巡游 当然,愚人船(Narrenschiff)是一个文学词语,可能出自古老的亚尔古英雄传奇呼 此时,这个重大的神话主题获得新的活力,在勃艮第社会中广为流传 时尚欢迎这些舟船的故事:这些船载着理想中的英雄、道德的楷模、社会的典范,开始伟大的象征性航行 透过航行,船上的人即使没有获得财富,至少也会成为命运或其理的化身 例如,尚皮埃(SymPhorien ChamPier) 1502年创作了《五公之舟和贵族之战》,于1503年创作了《淑女船》 另外还有《健康者之舟》、奥斯特沃伦(Jacob vanOestvoren)于1413年创作的《蓝舟》、布兰特(Sebastian Brant)(用于1494年创作的《愚人船》)、巴德(Josse Bade)的著作《女愚人船》 当然,博斯的绘画也属于这个梦幻船队之列 愚人船愚人船确实存在过,这种船载着那些神经错乱的乘客从一个城镇航行到另一个城镇 疯人因此便过着一种轻松自在的流浪生活 城镇将他们驱逐出去;在没有把他们托付给商旅或香客队伍时,他们被准许在空旷的农村流浪 这种习俗在德国尤为常见 15世纪上半叶,纽伦堡有63个疯子登记在册,其中31人被驱逐 其后50年间,据记载至少有21人被迫出走 这些仅仅是被市政当局拘捕的病人 他们通常被交给船工 1399年,在法兰克福,海员受命带走一个赤身裸体在街巷中游走的病人 15世纪初,美因茨以同样方式驱逐了一个疯人罪犯 有时,水手们刚刚承诺,下来,转身便又把这些招惹麻烦的乘客打发上岸 法兰克福有一个铁匠两次被逐,但两次返回,直到最后被送到克罗兹纳赫 欧洲的许多城市肯定经常看到"愚人船"驰入它们的港口 揭示这种习俗的确切含义并非一件易事 有人会设想,这是一种很普通的引渡手段,市政当局以此把游荡的疯人遣送出自己的管界 这种假设没有考虑到下列事实:甚至在专门的疯人院设立之前,有些疯人已经被送进医院或受到类似的看护;巴黎的主官医院当时已在病房里为他们设置了床位 在整个中世纪和文艺复兴时期,欧洲大多数城市都有专门的疯人拘留所,如默伦的沙特莱堡,康城著名的疯人塔 在德国有数不胜数的疯人塔,如吕贝克的城关,汉堡的处女塔 因此,疯人不一定会被驱逐 有人会设想,只有外乡疯人才会被驱逐,各个城市都只照看自己市民中的病人 我们不是发现一些中世纪城市的账簿上有病人救济金或用以照料病人的捐款记录吗 但是 问题并不这么简单 在集中收容病人的地方,病人大多不是本地人 最先集中收容疯人的是一些圣地:圣马蒂兰·德·拉尔尚,圣希尔德维尔·德·古奈,贝桑松和吉尔 去这些地方朝圣是由城市或医院组织的 往往还得到城市或医院的资助 这些素扰着整个文艺复兴早期想像力的愚人船很可能是朝圣船 那些具有强烈象征意义的疯人乘客是去寻找自己的理性 有些船是沿莱茵河顺流而下到比利时和吉尔 另一些船是沿莱茵河上行到汝拉和贝桑松
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