阿瓦隆的迷雾
2024-08-10 19:35:47
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从亚瑟王身后以精神信仰操控国家兴亡的三位女性的 观点,一窥在亚瑟王传奇背后的众多阴谋门争 在片中,安洁莉卡休斯顿饰演迷雾之城亚法隆的主祭司-薇薇安,她是一位大湖女神,以维亚法隆的崇高地位 ,为其终身职志;茱莉安娜玛格莉丝饰演摩可儿,为钦定祭司继承人;琼安艾伦饰 演凶残的摩可思,企图夺取王位,接掌千秋盛业 在重重的迷雾及流言诡计纷扰之下,国家存亡的局势已悄然底定……安吉里卡·休斯顿Viviane朱丽安娜·玛格丽丝Morgaine琼·艾伦Morgause萨曼莎·玛西丝Gwenwyfar卡罗琳·古道IgraineEdward AttertonArthur迈克尔·瓦尔坦LancelotMichael ByrneMerlin汉斯麦瑟逊Mordred马克·刘易斯·琼斯Uther克里夫·罗素GorloisElias Zerael BauerYoung Mordred大卫·卡尔德UriensJohn ComerCaptain Talbot托尼·库兰Uther's CaptainKarel DobryRhiannonIan DuncanAccolon塔姆欣·伊格顿Young MorgaineLucy FilleryServing Woman克里斯托弗·富尔福德Lot弗莱迪·海默Young ArthurBiddy HodsonElaine诺亚·亨特利Gawain卡拉拉·伊莎娃RavenEdward JewesburyAmbrosiusHonza KlimaKayPhilip LenkowskyCuthbertJustin MullerGarethHugh RossBishop PatriciusGabriela ZajickovaChild参考资料Uli Edel摩根妮(Morgaine) - 阿瓦隆最后的女祭司 伊格赖因与康沃尔公爵的女儿 尤瑟·潘德拉根(Uther Pendragon) - 卡美洛王朝的前代国王,亚瑟王的父亲 伊格赖因(Igraine) - 卡美洛王朝的前代皇后,莫根妮和亚瑟的母亲,曾是康沃尔公爵的妻子 康沃尔(Gorlois) - 摩根妮的父亲 后来战死于沙场,其妻子后来成为卡美洛的皇后 亚瑟王(King Arthur) - 伊格赖因与尤瑟的儿子,是摩根妮同母异父的弟弟,莫德雷德的父亲 桂妮薇儿(Guinevere) - 卡美洛的皇后,亚瑟的妻子 与兰斯洛特爵士有着不可告人的奸情 兰斯洛特爵士(Lancelet) - 圆桌骑士中的一员,亚瑟王的表兄弟 是湖中仙女薇薇安的儿子与摩根妮的初恋情人 他是一众女性倾心的对象,并与桂妮薇儿发生关系 莫德雷德(Mordred) - 亚瑟王与摩根妮的儿子,后来推翻了亚瑟所统治的卡美洛王朝 摩高斯(Morgause) - 伊莱恩与薇薇安的姐妹 也是亚瑟王和莫根妮的亲姨母,协助莫德雷德推翻卡美洛王朝 薇薇安(Viviane) - 阿瓦隆的大祭司,湖中仙女 尼妙(Nimue) - 兰斯洛特与伊莱恩的美丽女儿,也是薇薇安的外孙女 妮妮安妮(Niniane) - 先知塔里辛的女儿,是摩高斯同母异父的姐妹 高文(Gawaine) - 圆桌骑士中的一员 是兰斯洛特与摩高斯的儿子 加拉哈德(Galahad) - 兰斯洛特与伊莱恩的儿子 《阿瓦隆传奇》是一部长达186分钟的迷你电视连续剧,它根据著名魔幻女作家Marion Zimmer Bradley的小说《阿瓦隆的迷雾》改编,从女性的角度重新演绎了亚瑟王的传说 看过这部作品,你或许无法记起那一段段关于英雄的史诗,甚至艾斯卡利巴的辉煌都会显得微不足道,但是你绝对不会忘记剧中那娓娓道来的有关女神的一切 《阿瓦隆传奇》用女性特有的细腻为我们讲述了有关女神和她如何在历史的长河中失落的故事,剧中的莫根——亚瑟王的姐姐,她是这一过程的见证人 作为神母教的传人,她有着超越常人的坚强;但同时她也是徘徊在信仰与情感之间的柔弱女子,在经历了令自己粉身碎骨的痛楚与世间无法比拟的狂喜之后,她终于明白了自己的使命并拥有了心灵的安宁 《阿瓦隆传奇》里的亚瑟王不再是那个光芒四射的形象,他扮演的是一个结合旧教和新教统一的角色,在新旧文明、宗教激烈冲突的脆弱时代,他维系了一种短暂的平衡,但在他死后一切都被迅疾的破坏 剧中的另一位主要人物是湖夫人薇薇安,她是神母教在这世间的最后一位坚定的祭司 为了维系女神的信仰,捍卫女神的最后尊严,她所作的努力虽然徒劳但却伟大 最终,迷雾笼罩了阿瓦隆,死亡和失落终结了这个时代 这样的结局是如此的忧伤,又是如此的无奈 但我们知道,这与摩根的叛逆任性、莫德里的阴险残暴以及薇薇安的死亡都没有直接的关系 这种带有远古气息的美丽原本就注定要在红尘中消失,人类文明的脚步碾碎了的又岂止是对于女神的依恋……摩根和皇后最后的见面富有象征意味,皇后有如圣母,金发碧眼正是未来文明的象征,而摩根则是旧教硕果仅存的传人,她的黑发黑眼与红色长裙充满了张扬 两个女人,也是两种宗教、两种文明 她们拥抱在一起,新与旧在此融合、过去与未来得以衔接 摩根本以为阿瓦隆的世界随着女神一起消失了,但在看到天主教堂的圣母后,她突然明白:女神没有离开,她只是披上了圣母的面纱,以另一种形象走进了人们内心的禁地 时代虽然改变了,但是这一切没有让女神离开 处女,母亲,女神依旧是女性的3个象征和身份,圣母带给世界源源不绝的爱与仁慈,带给世界道德和真理,正如当初的大母神一样 五朔节的火光不再点燃,猎人和少女的影子也早已随风散去,但牡鹿仍在林间飞奔,它在追寻着被秩序和道德所湮灭的野性之美 圣剑还于碧波,阿瓦隆将永远沉睡在迷雾的尽头,远远听来只有修道院的钟声响彻天际,它或许也在缅怀那些黯然逝去的梦,告诉我们不要轻易遗忘那些古老的故事
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